Friday, November 01, 2013
When I enrolled here at Weber State, My ACT score was high enough that I did not have to take
English 1010, and although I had taken an AP
English Literature class during my senior year of high school, apparently that
counted as credit toward ENGL2200 ‘Intro to Literature’, but did not count for
ENGL2010. Overall, I had a very good experience in my English 2010 class. I
remember the first day of class, all of us were sitting there waiting for the
professor to show up. We were getting fidgety and wondering if he was coming at
all, when one of the “students” sitting in the back row jumped out of his seat
with a loud whoop, walked to the front of the class and introduced himself as
Professor Pollett. He always made the class interesting, so I really enjoyed
it. It was not a hard class for me. I was (and still am) a complete bookworm. Having
been such an avid reader as a kid, writing just seemed to come naturally to me,
maybe because I had picked up patterns of different writing styles during my
literary adventures. Pollett had us do a few essays every week, in addition to
two large research papers during the semester. I have always had an intense
fear of public speaking, so you could say I was less than pleased when
Professor Pollett told us we would each be doing two fifteen minute
presentations based on our research papers. I think the fear led me to prepare
more than I had for past presentations. I kept practicing breath control,
watching my vocal speed, and rehearsing the presentation a couple of times in
front of an imaginary audience. My first research presentation was on the
architecture of Gothic cathedrals, and I was surprised at how well it was
received by the other students in class. They
expressed that they never knew so much went into building a cathedral
and that I didn’t seem nervous at all. Thinking back, to my own ears I remember
sounding almost like an architecture professor. I was pretty proud of myself
for somehow acting so calm even with my heart hammering in my chest all the
while. It was probably during this class when I finally mastered MLA research
citations, but in general, I would not say that the class helped me become that
much better of a writer. But more
importantly, it vastly helped me to increase my confidence as a speaker.
Blog 8: Grammar Superstitions
The only grammar superstition I remember learning was the
one where the writer is supposed to put a comma anywhere there is a natural
pause. I remember very little of my actual grammar education, which may be due
to the fact that I was still in elementary school. I remember a couple of the
cute Schoolhouse Rock videos on grammar, like “Conjunction Junction, What’s
Your Function” and “A Noun is a Person, Place, or Thing”, but that is about it.
In Junior High and High School, it seemed like we never went over grammar
formally. The teachers threw out tips and advice now and then, but I can’t
recall I time when there was a grammar-only section in their curriculum. More than anything else, in high school you
were basically expected to know how to write well already. I was always pretty
good at writing and I always received excellent grades in my English classes,
so learning the nitty-gritty technical grammar rules was never a huge priority
for me. I’m glad that I’m learning more of the specifics now because it makes me
feel more secure as a writer and especially as a tutor.
Thursday, October 31, 2013
Skipping ahead.
My Junior year in high school I took AP English which fulfilled my English 1010 credit. My freshman year of college I jumped right into English 2010, thinking that I would be in over my head. Fortunately, I had a really great teacher, Jefferey Butler, who worked with each student individually. The class only had about 15 students, which created a really welcoming environment. For whatever reason, I do not remember much about this class, aside from reading The Tipping Point by Malcolm Gladwell. I remember being inspired by this book, and I did well on all assignments regarding it. Perhaps I do not remember anything else from the course, because I was doing well, and knew that I would continue to do well, that I did not pay attention to the concepts. It could also be due to the fact that I had not taken a developmental course, and the 2010 course expounded upon the principles introduced in English 1010.
Either way, I did not learn any finite and defined grammar rules. Presumably, I should have learned about grammar in my AP English class, but perhaps I faced the same conundrum; that my teacher assumed we were upper-division students and should know the rules already. Again, in this class we also focused heavily on literature and responding to it. Until I received a job as a writing tutor, I was blissfully unaware of my lack of grammar knowledge. I used to be able to read something and recognize an error, and have had difficulties explaining to my tutees why something is wrong. I am glad that I received this job, because it is making me critically think about all aspects of language, which will help me in my future career as an English teacher.
Either way, I did not learn any finite and defined grammar rules. Presumably, I should have learned about grammar in my AP English class, but perhaps I faced the same conundrum; that my teacher assumed we were upper-division students and should know the rules already. Again, in this class we also focused heavily on literature and responding to it. Until I received a job as a writing tutor, I was blissfully unaware of my lack of grammar knowledge. I used to be able to read something and recognize an error, and have had difficulties explaining to my tutees why something is wrong. I am glad that I received this job, because it is making me critically think about all aspects of language, which will help me in my future career as an English teacher.
Monday, October 28, 2013
Blog 8: On Becoming My Own Grammar Police
Shelley Williams
I had cursory knowledge of diagramming sentences, and for someone that is a visual learner, this tool should have been useful for learning and understanding grammar, but it was only partially useful, and I'm not sure why so, but I suspect I'll have a theory before I end this blog. Even taking a grammar course in college did not land me high marks because, for me, learning to identify something visually that includes both the words and a different visual composition of them than how I am used to seeing them, meant ultimately learning a new kind of language, not being given the right tool for me to better understand the language that was already before me.
So, ultimately, I learned all the rules of grammar that students don't get in public schools or at least only marginally so if at all. However, while I am grateful for that, understanding why I was using them or what grammar and punctuation did for me was more meaningful to me, and I was never directly nor indirectly taught that. It was just something I had to pick up on my own--i.e., that in order for me to digest new material or a new way of looking at old material, the new material had to have intrinsic value of itself or add to my current understanding of old or already-gained material. I already had an intuitive sense of grammar, something I think most writing tutors share. But to explain it to others or oneself even, aye, there's the rub.
These days, I approach grammar as a tool and tell students that, especially when introducing new punctuation to express the voice or tone they may have already achieved. I find it works well because it reinforces the fact that I think (and believe) that new writers have something to say and want them simply to understand how they can express themselves for best effect. I do this by telling them what the punctuation marks do and how some are interchangeable and the nuances attached to their fine-tuning choices. I portray grammar as their tool to use as they see fit, to best help the reader understand what is really on their writer minds. I may be more seasoned as a writer and experientially, but inevitably, I learn from the students, including and especially, by pleasant surprise, how to make punctuation meaningful because as it offers writers the capacity to be understood as they wish to be understood.
Shelley Williams
I had cursory knowledge of diagramming sentences, and for someone that is a visual learner, this tool should have been useful for learning and understanding grammar, but it was only partially useful, and I'm not sure why so, but I suspect I'll have a theory before I end this blog. Even taking a grammar course in college did not land me high marks because, for me, learning to identify something visually that includes both the words and a different visual composition of them than how I am used to seeing them, meant ultimately learning a new kind of language, not being given the right tool for me to better understand the language that was already before me.
So, ultimately, I learned all the rules of grammar that students don't get in public schools or at least only marginally so if at all. However, while I am grateful for that, understanding why I was using them or what grammar and punctuation did for me was more meaningful to me, and I was never directly nor indirectly taught that. It was just something I had to pick up on my own--i.e., that in order for me to digest new material or a new way of looking at old material, the new material had to have intrinsic value of itself or add to my current understanding of old or already-gained material. I already had an intuitive sense of grammar, something I think most writing tutors share. But to explain it to others or oneself even, aye, there's the rub.
These days, I approach grammar as a tool and tell students that, especially when introducing new punctuation to express the voice or tone they may have already achieved. I find it works well because it reinforces the fact that I think (and believe) that new writers have something to say and want them simply to understand how they can express themselves for best effect. I do this by telling them what the punctuation marks do and how some are interchangeable and the nuances attached to their fine-tuning choices. I portray grammar as their tool to use as they see fit, to best help the reader understand what is really on their writer minds. I may be more seasoned as a writer and experientially, but inevitably, I learn from the students, including and especially, by pleasant surprise, how to make punctuation meaningful because as it offers writers the capacity to be understood as they wish to be understood.
Blog 9: On the Cusp (Discuss a past 1010 or 2010 course)
Shelley Williams/Engl 3840
Shelley Williams/Engl 3840
Though I liked to write and did pretty
well in high school on papers that I had to produce, but I was not good at
writing under pressure or planning out what to say and so I did not pass the AP
tests and ended up taking both 2010 and before that, what was I suppose the
equivalent of 1010. It was actually a series I took in the summer at Weber
State and it was then called English 101, 102, and 103. Though I cannot remember far back enough as
to how or why that series of courses were segregated in terms of developing
skills, what I do remember is that the topics I was asked to write about were
actually quite abstract and sophisticated for introductory English courses. The topics I remember were writing on love,
and other emotions. I suppose the idea behind this was not having to
incorporate outside sources but just to speak from my own experience/opinion/feelings,
which, frankly, is a lot to trust to a freshman. But in personal narratives that became popular
soon after, the idea is to bridge from the known and give students the feeling
they have some valuable experience and something to say, even if they are young
writers.
I also took 2010 or the equivalent, which was
considered business/technical writing, or maybe that was the alternative to the usual 2010. All I remember is we had to write a couple main
assignments, one of which was supposed to be generated from our actual major.
That concept was a great one as it made my research very applied. That being
said, neither the 1010 series nor the 2010 course felt like it was sufficient
to prepare me for graduate school writing because I remember one of my first
assignments in research writing garnered me a low “B,” and I was confused. I spoke to the instructor and to sum up, I
felt the kindly-delivered message was that I really wasn’t writing at graduate
level. I took the message to heart but
also to task and worked to improve.
Though this is not as detailed as I
would have liked, I simply cannot remember that far back. I could safely say, however, that my English
experience was still very “old school” meaning that simple practice was
supposed to make perfect, not burdened with bridging lack of grammar
understanding nor complete with the understanding of rhetorical tools the way
English 1010 often incorporates now. I didn’t learn any of those until I was
required to teach them to students as a teaching assistant in grad school. While I wish it had not taken me that long to
accumulate such skills necessary to be truly conversant in needed composition skills
and academic discourse, I cannot complain because my journey was my
journey and made me appreciate finally having said tools in my arsenal--I
may not have appreciated, understood, nor been able to explain them as I can today had I obtained them earlier versus the hard way.
Why I hate online classes: 1010 retrospective
My 1010
and 2010 experiences were a bit difficult, as I took them online. I had left
the University of Wyoming about five years prior and wanted to get back to
finish. At the time I was working full-time and saving money in hopes of
returning to UW and wanted to get a head start. I knew that my grades were
so-so from the first time around, so I decided to take some online classes to
get myself back into the scholastic habit and get some good grades for reapplication.
Although I got As in both classes, the online lessons did not really help me in
any way.
The
usual format was doing some reading then writing a short response. The comments
I got back were pedestrian at best and did not really help me develop as a
writer. There were some larger assignments, which fell into the typical
categories of “Personal Narrative”, “Argumentative”, and “Comparative.” I think
the only paper I actually had to put effort into was the final for 2010, which
was on Hamlet. I wrote about the
motives for Hamlet’s inaction, which compared to the summaries that most of the
class wrote (we did online peer editing) went above what was asked for in the
assignment. I received generic praise from the teacher, so I felt I was doing
pretty darn well.
Cut to
the next fall.
I was
writing my first big paper for an English class after becoming a full-time student
again, thinking I had all this essay writing stuff figured out. It was a close
reading on Shakespeare’s Sonnet 87, and I felt pretty pleased about it. I was
aghast at the C- it earned, and all of the red marks crushed my spirits. The professor
allowed rewrites so I took the notes and revised based on the thoughtful
corrections that had broken my heart. Her biggest point was that I had only
done half of the work and needed to ask “why is this important?” to have a good
paper. That was the first time I’d had it phrased to me in that way. I pulled
it up to a B+, and learned more about myself as a writer in those five pages
than I had in the two semesters of 1010 and 2010.
So do I
think my 1010 and 2010 classes were a waste of time? Absolutely. Do I think
that the classes in general are a waste of time? Not at all. I know that, when
handled appropriately, the lower level English classes have value in training
writers in how to engage in academic discourse. When the only criteria for an A
are a functional grasp of grammar and an ability to fill the page requirement,
the impact of the class is nearly zero.
As to why the class was taught that way, I
figure it had to do with the online format. Without meetings, it was hard to
really discuss anything openly. We did online messaging sessions, which didn’t
help my writing in the slightest. The grades I got helped me get back into
school, but other than that had little impact on me as a student. As a teacher,
however, I learned a lot about what not to do in a class.
Gary Lindeburg
What Would Enlgish 2010 Be Like?
I took AP English in High school, so I haven’t had to take a
composition class. I imagine that it must be somewhat frustrating though,
whether you’re an advanced student or not.
The errors that I see everyday are basically exactly the same: the
thesis isn’t clear, your commas are wrong, this paragraph shouldn’t be in the
paper. The principles that help students avoid these kinds of problems are
hammered into their brains from middle school on (in most cases). It would be
frustrating to get back multiple papers, go and see tutors, and have peer
reviews and receive the same feedback you’ve received for years.
On the other hand, perhaps the students really aren’t
grasping the concepts. Perhaps they feel as if they are learning something for
the first time each and every time they review it. I think that’s where we come
into play. Many students, for whatever reason, struggle with writing. Often
times they know what they want to say, but it’s not as easy for them as it is
for their peers. Is it possible that they are making the same mistakes over and
over because their learning style is not matching up with the way the professor
teaches?
In college, professors have large classes, and they try teach
in a general way so that many people can understand. Every now and then,
however, there is a student who just doesn’t get it. It’s not because they’re
stupid or because the professor is a bad teacher though; it’s because the
student has a different learning style, and the professor can’t tailor their
teaching to each and every student’s individual needs.
But we can. As tutors, we are here to help students break
away from the group and classroom setting and receive some one on one help with
English. That is why it is so important that we know grammar, that we know how
to teach, and that we know different learning styles. We are the last chance some of these students may
have to develop writing skills they can use for the rest of their time at the
university, if not the rest of their lives. Some of these students have all but
given up, and the writing center is the last thing standing between them and a
minimum wage career. We can reach out to these students in a very personal way,
and address concerns on a one on one basis.
Although I have never been in a 2010 composition class, I
have been in classes that have frustrated me. I have been in classes where I
just don’t understand the professor’s teaching style – classes where I needed a
little extra help. Although I have never been in a 2010 composition class, I
have felt the despair, the frustration, the desire to give up. Those are the
feelings we are called to dispel. Those are the thoughts we can get rid of in
the student’s minds by helping them understand something the classroom has not
been able to teach them: the joy of
expressing themselves clearly through written language.
- Sam Bartholomew
Sunday, October 27, 2013
Composition Courses - Blog 9
When I took English 1010 and 2010, they were really great
classes. The professors set up the course, so it would be mostly discussion as
they introduced concepts to us gradually. We had a few essays to write in each
class, and the assignments seemed to build off each other.
In ENGL 1010, I had Mrs. E. She was absolutely amazing. It
was the literally the first course I took when I enrolled in Weber. Because I
took the course over the summer, and it was a three-hour class, she made the
atmosphere very relaxed for us. She normally opened the class with an
interesting story about her family, or she would let us share something fun
about ourselves that happened. Then, we would have a discussion about whatever
was on the syllabus for that day, how to better our grammar based on the papers
we turned in, or any questions or concerns we had. After that, we wrote in our
journal to answer questions based on what we just discussed, or we could chose
to meditate on the discussion and write in it later. We wrote about five short
papers (no more than five pages), if I remember correctly. They were probably
comparison and contrast, persuasive, and analysis essays. I, of course, did my
final paper on nutrition with an emphasis on pregnant women. This course was
probably taught the way it was to prepare us for taking 2010.
Then, I had Professor S for ENGL 2010. I remember, at times,
I wanted to drop his class because the first thing he told us was we only had
to write a ten page midterm paper and a twenty page final paper for the course.
I was absolutely mortified at first, but I am glad I stuck with it. We wrote a
two to three page paper a week on the readings in our anthology. I think this
was the only class that I actually did the readings and annotations for in my
entire life because he had no problems calling us out and making us feel stupid
when we could not answer his questions. Anyway, the papers we wrote were short
commentary essays and two research papers. I did my research on the broader
implications of tattoos and their relevancy today compared to before the
twentieth and twenty-first century. Needless to say, any class after that one
has been a breeze for me.
As a student and an educator, I appreciate the way these
were taught. The courses seemed to build upon each other but not in an obvious
way. Having discussions about required
readings and being exposed to different types of essays seemed to improve the
way we learned as students in the class. It also taught me that I should
discuss the books I read to my own students and expose them to different types
of writing, so they can become versatile. These courses were taught this way to
help us think more outside the box and to deter us from being lazy and
unprepared for class.
Lazy Grammar (Blog 8)
What grammar rules were you taught?
During
primary and secondary school, I assume that I was taught a plethora of
incorrect grammar rules, but I can’t seem to remember many of them. I believe
that these grammar rules result from lazy teaching and learning attitudes. Two
rules really pop out in my head; the rule that commas belong wherever a “natural
pause” occurs and the rule that you should never change tense are both rules I
was told on multiple occasions. The two rules both seem to result from a worry
that students will either not use commas or change tense too often. I can
understand the worry as I’ve seen the students who do not use commas and
misplace commas as well as students who change tenses too often.
The rule that a comma should be placed
wherever there is a “natural pause” seems to have some origin in the actual
grammatical rules of introductory clauses and tag phrases. In both of these
cases, there seems to be some natural pause before leading into the next
respective clause or following into the tag phrase. However, as a general rule,
it’s a horrible way to teach someone to use commas. And perhaps for a well-read
and well-versed scholar, they do indeed pause at commas and in their writing
place commas where they pause, but the reasoning for this is completely
circular. It is important that students and educators alike learn and teach the
proper grammar rules, if for no other reason than to simplify the problem to
simplistic sets of rules and allow students to stop guessing and justifying an
unreasonable method of writing.
I was also taught that it is never
appropriate to switch tense in any form of writing. While this might be a
well-intended rule set in order to prevent the constant changing of tense
during a piece of writing, it disallows a certain stylistic freedom that is
often necessary for a writer to keep their voice consistent and properly
portray ideas. It would be better to teach the students why it is important to
stay consistent and when it is appropriate to change tense and when it may be
necessary. This gives the student the room to work with rather than chain them
down to avoid error.
However, I
think the teaching of incorrect grammar rules, as some sort of behavior
corrective, is the result of laziness. Either teachers do not care enough to
properly research their own subject material, or the teachers were misinformed
and are generally ignorant of the rules. However, this must result from laziness
in the system of education. If a math teacher were to teach students the
incorrect rules for quadratic equations, it would be utterly detrimental for
the student’s later success. The partiality or incorrectness on the teacher’s
part would be unacceptable. In the same way, English must be taught properly in
order to clear up these misunderstandings. It is important for teachers to be
corrected, for teachers to study their discipline with rigor and understand
what they are teaching their children. These responsibilities fall upon the
teacher and the administrators.
Furthermore,
in high school settings, it shows laziness on the side of the students for not
correcting a teacher’s. It is a case that illustrates the Freirean false
dichotomies supposed by the Banking Concept of Education: the students know
nothing and the teachers are infallible. It is important for the high school
students, for people in general, to take hold of their own education and reject
the authority of the teacher in place of a teacher-student/student-teacher
shared role.
CLU's English 111 (Blog 9)
I did not attend Weber State for my undergrad but my institution, California Lutheran University, had an equivalent to 2010 known as English 111. Weber's 1010 was known as English 101. Based on the placement tests, most students were put into English 111 - only those who scored very poorly were allocated to 101.
The structure of English 111 class was consistent but the topics/books covered depended entirely on the professor you got. The course was a called "Critical Reading and Writing" and each class centered around texts of the professor's choosing. My professor had chosen the theme "The Hero's Journey" and we read Harry Potter and the Sorcerer's Stone by J.K. Rowling, Ceremony by Leslie Marmon Silko, The Woman Warrior by Maxine Hong Kingston, and Black Boy by Richard Wright. Subsequently, we were given a series of prompts for each text and would write a literature paper based on the prompt of our choosing. Then, we wrote an in class final essay that incorporated all 4 books in some significant way. So, 5 essays total.
The day-to-day experience in the classroom was very predictable. My class started at 8am so many students showed up late and did not contribute to discussion. However, the class period was always the same. We should show up, the teacher would take role, we would discuss what happened in that day's assigned readings, and he would discuss with us the significance of events in the chapter(s) assigned. When we had an essay coming up, he would ask us what kinds of questions we had pertaining to essay structure. Occasionally, this would segue the day's discussion towards composition. I think the assumption was that students placed in English 111 grasped basic essay structure so little time was spent going over composition itself.
Personally, I found the course rewarding but I know several of my peers did not. I believe that the structure of English 111 is geared towards students who already have an affinity for writing. However, if a student still needs help in basic composition, they will lack the instruction necessary to do well in the upper division English course required for graduation.
I believe the course was taught this way to give students an introduction to what it means to write about novels at the college level. I overheard many students discussing how difficult they felt the course was and struggled with critical close readings of popular literature. While I recognize the flawed system of assuming students understand composition, I had a positive experience in the class and got to engage with literature that I likely would not have read on my own.
The structure of English 111 class was consistent but the topics/books covered depended entirely on the professor you got. The course was a called "Critical Reading and Writing" and each class centered around texts of the professor's choosing. My professor had chosen the theme "The Hero's Journey" and we read Harry Potter and the Sorcerer's Stone by J.K. Rowling, Ceremony by Leslie Marmon Silko, The Woman Warrior by Maxine Hong Kingston, and Black Boy by Richard Wright. Subsequently, we were given a series of prompts for each text and would write a literature paper based on the prompt of our choosing. Then, we wrote an in class final essay that incorporated all 4 books in some significant way. So, 5 essays total.
The day-to-day experience in the classroom was very predictable. My class started at 8am so many students showed up late and did not contribute to discussion. However, the class period was always the same. We should show up, the teacher would take role, we would discuss what happened in that day's assigned readings, and he would discuss with us the significance of events in the chapter(s) assigned. When we had an essay coming up, he would ask us what kinds of questions we had pertaining to essay structure. Occasionally, this would segue the day's discussion towards composition. I think the assumption was that students placed in English 111 grasped basic essay structure so little time was spent going over composition itself.
Personally, I found the course rewarding but I know several of my peers did not. I believe that the structure of English 111 is geared towards students who already have an affinity for writing. However, if a student still needs help in basic composition, they will lack the instruction necessary to do well in the upper division English course required for graduation.
I believe the course was taught this way to give students an introduction to what it means to write about novels at the college level. I overheard many students discussing how difficult they felt the course was and struggled with critical close readings of popular literature. While I recognize the flawed system of assuming students understand composition, I had a positive experience in the class and got to engage with literature that I likely would not have read on my own.
Joke Class
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